Wednesday, May 6, 2020
Diary Form Narrative in Dracula - 970 Words
Use Of The Diary Form Narrative in The Novel Dracula The Irish author, Bram Stoker, was a creative and intellectual writer, and as such, wrote the gothic novel Dracula in the diary form of narrative. This was a good choice of how to write the novel since it was very beneficial to the plot of Dracula. Examples of how the diary form is beneficial to Dracula are seen in his writing and book, as I will now commence in telling you. One of the greatest benefits of the diary narrative is that the reader is allowed see, and feel the emotional hearts and souls of the emotional characters. This is great because when a character is not feeling too great and is hiding something, the reader knows this, and therefore the readerâ⬠¦show more contentâ⬠¦For instance, after Lucy had written what was happening to her when her mother passed away, the story went back in time for another important matter to take place. When, there are different people of different places, they can be identified by how they act and how they talk. If, Bram Stoker did not use the diary form narrative, this would not be possible because if one person was telling the whole story, the reader would see and hear what the person telling the story heard and wrote down. So using, the diary, Bram Stoker could make the reader see exactly how a person was talking and acting through the written dialects. In the novel Dracula, all the diaries, of all the individuals come together and in the end, become one powerful, combination of descriptions, facts, that represents a group as a whole and the reader can feel as if they are part of the group and read, and think along with the characters. Yet another thing dealing with the diary form is quick referencing. The reader, if needed, can easily flip back through the book to look for something that he needs or wants. The diary form is great! It lets a reader feel, and see how characters interpret things themselves. The form lets dialogues take place, it lets many pe ople altogether tell a story in first person, and it lets a reader be able to see densely detailed scenes through a person that isnt being a fool talking to him or her self. The diary form ofShow MoreRelatedThe Use of Secondary Sources in Bram Stokers Dracula637 Words à |à 3 Pagesthroughout his novel in order to enhance the novel. He inserts a number of journal entries, newspaper articles, etc. instead of using a narrative point of view. By doing this, he has helped the reader understand more about what is going on, almost as if they are getting a behind-the-scenes view on the story, emotionally and physically. If Stoker had only used a narrative point of view, the reader wouldnââ¬â¢t know the characterââ¬â¢s thoughts, emotions, or anything they were feeling at that moment. The personRead MoreAnalysis of Bram Stokers Dracula672 Words à |à 3 Pagesï » ¿DRACULA BY BRAM STOKER The epistolary form of the novel consists of a narrative based on letters, diary entries, newspaper clippings and other documentary records. It helps to bring realism into the narrative by lacing it with personal and historical references. It helps to add believability by incorporating a variety of perspectives on the events and characters in the novel. This form works for Dracula because the log of the ship captain and the diary entries of Jonathan Harker provide personalRead MoreDracula: The Picture Perfect Ideal of Gothic Literature Essay1128 Words à |à 5 PagesDracula: The Picture Perfect Ideal of Gothic Literature. Gothicism has been a very popular genre of book, through past and present, and Bram Stokerââ¬â¢s, Dracula, is no exception. One of the most widely read novels of all time, Dracula possesses all the features of a classic gothic novel. The various dark and dreary features throughout the entire novel paints a perfect gothic picture for the reader and contribute to the mixture of feelings One gets while reading Dracula. The first feature of GothicismRead MoreHow Bram Stoker Uses Gothic Conventions to Create an Atmosphere of Suspense and Fear for the Reader1340 Words à |à 6 PagesHow Bram Stoker Uses Gothic Conventions to Create an Atmosphere of Suspense and Fear for the Reader Dracula is one of the most well-know novels, it was written by Abraham Stoker. At the time Dracula was released in 1897, people regarded it as being a romantic horror, with some elements of fantasy and also it was especially famous for its gothic conventions. In modern times the term gothic can be regarded as being barbarous, offensive and uncouth. Although many peopleRead MoreAn Analysis Of Bram Stoker s Dracula 1330 Words à |à 6 Pages Bram Stoker in Dracula imagines a ââ¬Å"proper womenâ⬠by demonizing Lucy ascribing to her traits of a wanton woman; a whore of a demon. A misogynistic attitude is popular in a patriarchal society, especially in the middle of the nineteenth century. On the other hand, Stoker unconsciously ties Minaââ¬â¢s behavior to emulate a woman of propriety. She is the very bane of what a progressive woman looks like but not when looking at her through a gynocritics lens. To prepare the reader for the ideology of theRead MoreMasculinity And Social Construction Of Masculinity1461 Words à |à 6 Pagesdifferent life stages. 2.3 Hegemonic Masculinity Theoretical insights from gender studies shed light on hegemonic masculinity and help to understand certain male behaviors seen in Dracula and The Vampire Diaries. Hegemonic masculinity includes a certain method to subordinate women. It represents a cultural idealized form of breadwinning and manhood and can be a personal as well as collective undertaking. Moreover, hegemonic masculinity is ââ¬Å"exclusive, anxiety-provoking, internally and hierarchicallyRead MoreFilm Adaptation Of Bram Stoker s Dracula1320 Words à |à 6 Pagesfrightening tale of Count Dracula has struck horror into the hearts of many since it was originally penned. In 1987, Bram Stoker wrote the revolutionary tale Dracula that played off the fears of the people of the era. The plot and characters that make the novel great also translate nearly perfectly to cinematic adaptations. Starting in the early 1900ââ¬â¢s, directors have done their best to portray the terror that the original novel inspired. Francis Ford Coppolaââ¬â¢s Bram Stokerââ¬â¢s Dracula was released in 1992Read MoreThe Role of Characters in Dracula and Carmilla1574 Words à |à 7 PagesThe Role Of Characters In Dracula and Carmilla February 16th, 2009 EN-102-69 Professor Kaplan Essay 1 ââ¬â Final Draft Acknowledgements This paper would not have been possible without the help of many people. Firstly, I would like to thank my classmates for all of their inputs and perspectives, in class discussions, thread discussions and their papers, which helped me gain a complete understanding of the two stories. I would also like to thank my peer edit partners Joey and Michele who provided meRead MoreHow Does a Marxist Reading of Dracula Open Up Meaning?2150 Words à |à 9 PagesUnremarkable though it may seem, to affirm the obvious truism that Bram Stokerââ¬â¢s Dracula originates from a century that historians often describe as the most significant in terms of revolutionary ideology, whilst wishing to avoid the clichà ©d view held, it is undeniable that the more one delves into the depths of this novel the greater wealth of meaning demonstrates significant correlation with Marxist ideology. The 19th Century saw the emergence of revolutionary socialist Karl Marx, who himselfRead MoreThe 2009 Twilight Film Directed By Catherine Hardwicke947 Words à |à 4 Pagesgirl and a dashing ââ¬Ëyoungââ¬â¢ vampire. Like the Dracula film I analysed earlier, this one is an adaptation from a book with the same title, which is written by the American author Stephenie Meyer. Differing from other vampire films, Twilight (2009) provides ââ¬Å"different picture of a vampireâ⬠(Là ©talovà ¡, 2014, p. 1). Unlike their vampire ââ¬Å"ancestorsâ⬠, the vampire characters in Twilight (2009) are not afraid of daylight. They will glow and show their ââ¬Å"true formâ⬠under the impact of direct sunlight. However
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